Tag Archives: Rants

The Question I Dread

By Jenny Aitken

Now that I’m in my final year at university, I’m being asked The Question on almost a daily basis.  It is The Question every undergrad dreads, especially ones studying creative writing.

People look at me expectantly, “So, what’s your plan for after you graduate?”

It happens everywhere now. The grocery store, the library, when I run into an old family friend, anytime I speak to my Grandpa on the phone…

People ask The Question. I just sigh.  And I wrack my brain for an answer that will A) satisfy their concern that I will not be homeless and unemployed, but still B) be a dull enough response to receive no follow-up questions.

“I’ll probably attempt to get a job in journalism. When that invariably fails I will work at Tim Horton’s, and spend the majority of my time stuffing free donut crullers in my mouth to compensate for making minimum wage.”

Somehow I doubt that will satisfy them. No, I have to be optimistic, yet not too optimistic. Answering the Dreaded Question actually becomes quite an art form.

“I’ll probably move back in with my parents and look for work. Something stable so I can get some experience. Work my way up from there.”

That should do the trick.

I hate The Question because it is so loaded.  My interrogations squad doesn’t mean what am I going to do post-grad in terms of where will I go eat or will I frame my diploma. No, my persecutors mean what is my plan for my life.  For my career. How do I plan to make money, pay off my debts, put food on the table? And the real answer, the one I desperately want to say but never do, is that I don’t know. I don’t. After four years of university I’m still not entirely sure what I want to do, other then avoid all talk about “my future”.

Worse still are the Five-Year Planners. Not only do they expect you to know what you will do upon graduating, they also expect you to have a whole five years of your life mapped out, with goals and accomplishments to be achieved at specific times along the way.

I always wonder how they would feel if our roles were reversed.  What if I answered right back with where they think they’ll be in five years? What their plan is?  “So Joe, think in five you might have finally got the courage to leave your wife?” or “Margaret, what’s your plan now that your company is letting staff go? Think you’ll make the cut?”

But of course I would never do that, because people aren’t trying to drive me crazy with The Question. They’re asking because they care about me, want me to succeed and probably feel like they have to.

Maybe from now on I should just quote Timbuk3:  “I’m doing all right, getting good grades, the future’s so bright, I gotta wear shades.”

This will not answer The Question, but maybe, if I’m lucky, it will allow me a bit more time to figure out the answer.

Jenny Aitken is a student at the University of Victoria.

A humble apology to that magnetic strip

An Editorial By Matthew “Gus” Gusul

Now hear this: To the audio cassette, I hereby say a heartfelt, “SORRY!” And I regret it has taken me 16 years to realize my error.

At 14 I became a dedicated vinyl collector when I discovered how beautiful it is to put the needle down on some hot wax. I am talking 33s and 45s. (I did not venture into the sub-genre of weirdo – The 78 Collector.) Simultaneously, I started an all-out war on any other audio format: digital, compact disc, 8-track, or cassettes – all were trash!

But in May I bought a 1982 Toyota Tercel, mint condition if I overlooked a scratch or two. Nestled inside its dashboard I found a fully functioning cassette deck. Bonus. So my wife Liz and I hit the Salvation Army and the downtown Victoria record stores.

Here’s the collection we found:

I am not saying that cassettes are the best audio format; Vinyl still holds that position for me. But some music is meant to be listened to on cassette because it simply sounds better. Musicians and producers used all their skills to make their songs sound good on that tiny magnetic strip encased in a plastic shell. Thanks to my little blue car, I am discovering that music all over again.

Take Journey’s Departure: you have not listened to Any way you want it until you hear it loud and proud banging out of my 1982 speakers . With Journey at full volume, my car is not simply a way to get from A to B; it is a time machine. I can relive the 80s while travelling from Mayfair Mall to Elk Lake on Pat Bay Highway at 75km/h.

Next, The Clash. Wow – just wow. There are so many classic songs on this tape: I fought the law, Career opportunities, Garageland, White Riot. Liz and I yell the Garageland lyrics as loud as we can — “I don’t want to hear about what the rich are doing” — while driving our 30-year-old car through the streets of Cordova Bay or Oak Bay.

A couple of weeks ago I reluctantly turned 30: I felt like I was having a funeral for my twenties. But then I got this brand-new, plastic-wrapped (still with Zeller’s $4.95 pricetag) version of REM’s 1987 release Document. Yup, I gave it to myself. I’d bought it in May and had yet to open it. So, it became a birthday present from 29-year-old Gus to 30-year-old Gus. Listening to such a great cassette turned out to be a fantastic treat. When REM recorded It’s the end of the world as we know it, The one I love, Odd Fellows Local 151, they were envisioning people — perhaps even me! — listening to it on cassette.

Needless to say Guns ‘n’ Roses, Dire Straits, and Bon Jovi all sound great on tape — something I’d never have known without my Tercel. (Note: The Madonna cassette belongs to Liz.)

Maybe this article should be called something like “Ode to the Cassette” or “Kids, throw Away your iPod and Grab your Walkman.”

Matthew “Gus” Gusul is The Coastal Spectator’s Online Editor.

Art gallery affirms artistry of kitty videos

By Lynne Van Luven
Dissing cat videos has suddenly become a vibrant pastime among the literati. Writers and film critics alike frequently bemoan the puerile focus and the cute factor. I don’t get it.

I’d understand if such critics were exercised by schlocky music videos or vile snuff films. Or if they took umbrage at screaming-chef videos or the blather of smarmy blonde actors who extol their new-found “lifestyle” wisdom.

But to bemoan kitty videos? Come on, folks, graft a bit of humour on to your humanity. Life is filled with awful realities: daily events in Syria; reporters being stifled and killed around the world; children starving, people using guns to express their political views . . . .

But kitty videos? How can you scoff at these witty, whimsical and loving expressions of man’s bond with felinity? When life is kicking you in the ribs, a quick viewing of the antics of Maru, the box-infatuated Japanese cat, will immediately alleviate your pain. And if you are on the outs with family or friends, there is nothing like a quick link to the furious cat video to remind you how
silly hissy fits really look.

That’s why I was thrilled to learn that The Walker Art Centre in Minneapolis, Minnesota, just sponsored an Internet Cat Video Film Festival, with 70 entries, as a social experiment — as well as a modern-art event.

And I was even happier to see some of my favourite feline performers entered: Keyboard Cat was represented (26.3 views since first posted in 2007) as was the obsessive Maru. Best of all, the winner of the People’s Choice award turned out to be my all-time favourite cat video: the inimitable Henri 2, Paw de Deux, by Will Braden.

So take that snobs! The rest of us already knew the truth: no matter how many times we listened to Henri’s lugubrious self-indulgent mewlings, we couldn’t help chortling.

Lynne Van Luven would be owned by 15 cats if left to her own devices.